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Hast​í​o y Paranoia

by Matías Formica

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1.
Inexorable 04:01
2.
Acecha 05:05
3.
El ánima 05:52
4.
Observa 06:28
5.
Alucina 04:39
6.
Entre sí 04:55
7.
Lo irreal 04:22
8.
9.
Infausto 04:44
10.
Maleable 03:58
11.
12.
Proyecta 04:11

about

NU# 0016
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WATCH VIDEO SINGLES HERE:
www.youtube.com/watch?v=odZEMSUbHJU&t=1s
www.youtube.com/watch?v=m1ECHItBka8
www.youtube.com/watch?v=Ve2vSpX-t5I

-----------------------------------------------------------------------------------------
About “Hastío y Paranoia”:

𝕀𝕟𝕖𝕩𝕠𝕣𝕒𝕓𝕝𝕖 𝕒𝕔𝕖𝕔𝕙𝕒 𝕖𝕝 á𝕟𝕚𝕞𝕒, 𝕠𝕓𝕤𝕖𝕣𝕧𝕒, 𝕒𝕝𝕦𝕔𝕚𝕟𝕒.
𝔼𝕟𝕥𝕣𝕖 𝕤í 𝕝𝕠 𝕚𝕣𝕣𝕖𝕒𝕝, 𝕝𝕒 𝕕𝕚𝕤𝕣𝕦𝕡𝕔𝕚ó𝕟.

𝕀𝕟𝕗𝕒𝕦𝕤𝕥𝕠, 𝕞𝕒𝕝𝕖𝕒𝕓𝕝𝕖, 𝕡𝕖𝕣𝕠 𝕕𝕖𝕝 𝕝𝕒𝕕𝕠 𝕕𝕖 𝕒𝕥𝕣á𝕤, 𝕡𝕣𝕠𝕪𝕖𝕔𝕥𝕒.

In Matías' words:
This project arises from the impulse of having made the album "AISLADOS" in the first part of the year, an album in duet with Jonatan Schenone, with my own compositions and improvisations. This album left me wanting to experiment more fully with free improvisation, but in this opportunity with the challenge of inviting different musicians, and doing totally improvised sessions.
Some of them are great and admired friends, others, musicians that I admire and felt encouraged to invite them to participate.

This project consisted of six recording sessions, each lasting an hour on average, of which I selected two pieces from each session. The idea was to have different instrumentations with a variety of timbricall experiences.
In all of this trios I played different instruments: two sessions with tenor sax, two with alto sax, one with flute and one with alto flute. Always trying to take into account the different ways of approaching improvisation that each improviser has.

The criteria for the selection and assembling of the album was focus on making the total tell a story. The idea was to generate an album
and not a compilation, with which the selection was to try to
make the pieces combine with each other and with the total,
trying to generate an album concept. The result in my opinion is
as it usually happens, an intermediate point, there are very
varied pieces conceptually speaking if we take them individually, but if they are heard in order, I think they combine perfectly.


Personally, although I am fascinated with the result of the album, it was a great excuse to be able to continue “studying” free improvisation which, in my opinion, is done playing and due to the harsh conditions of the environment in which we live, sometimes it is difficult to do it assiduously.

credits

released November 26, 2021

Credits:
LARA ALARCÓN / voice, live processing and tape (2-8).
JONATAN SCHENONE / acustic bass (2-8).
JUANA SALLIES/ voice (6-11).
JUAN CRUZ CERASA / bass clarinet (6-11).
PÍA HERNÁNDEZ / piano (3-7).
CRISTIAN CARRACEDO LAURETTI / synthesizer (3-7).
PABLO LEDESMA / soprano sax (1-10).
PABLO BIANCHETTO / drumm (1-10).
ROCÍO GIMÉNEZ LÓPEZ / piano and synthesizer (5-12).
MATTHEW GOLOMBISKY / electric bass, likable noise, tibetan bowl and elephant bells. (5-12).
LUCAS ALBARRACÍN / cornet (4-9).
MARCOS EDWARD/ electric guitar (4-9).
MATÍAS FORMICA / tenor sax (1-4-9-10), alto sax (2-5-8-12), flute (3-7) and alto flute (6-11).

Recorded on April 6, July 22 and August 21, 2021, at Estudio Mirífico (city of La Plata), by 𝔽𝕒𝕔𝕦𝕟𝕕𝕠 𝕃𝕚𝕫𝕠𝕟𝕕𝕠, and August 23 and September 4, 2021, (Buenos Aires) at Estudio Libres by 𝕊𝕒𝕞 ℕ𝕒𝕔𝕙𝕥.
Mix and master by ℙ𝕒𝕓𝕝𝕠 𝔽𝕠𝕣𝕞𝕚𝕔𝕒.
Cover photo 𝕁𝕠𝕣𝕘𝕖 𝔽𝕠𝕣𝕞𝕚𝕔𝕒
Cover art by 𝕁𝕠𝕣𝕘𝕖 𝕍𝕚𝕞𝕖𝕣𝕔𝕒𝕥𝕚.
Videos 𝔽𝕝𝕠𝕣 𝕕𝕖 𝔽𝕦𝕖𝕘𝕠, 𝔸𝕣𝕚𝕖𝕝 𝕀𝕟𝕧𝕖𝕣𝕟𝕚𝕫𝕚 and 𝔸𝕝𝕧𝕖𝕣é 𝔻𝕚 ℙ𝕚𝕝𝕒𝕥𝕠.

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Numeral Buenos Aires, Argentina

Label & Concerts - Connecting artists. Devoted to reunite original music in the edgy field of experimental and improvised music. Understanding the geo-coordenates as an initial point, we expand our music like a grapho extends its meaning.

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